End of a era

Hi everyone.

This is just a reminder for anyone who missed my previous postings.

This blog site has ceased operation.

I have moved across to:

The Bouncing Tigger Reads on http://www.tiggerreviews.com

The new site should link to Google+, Tumblr and Facebook too so nothing should be lost – but you can let me know over the new site if it fails to do so. Odd hiccups are occurring as I am still learning about the software !

Here’s hoping that I will see you on the new site 🙂 You will need to sign up again to get a direct email unfortunately.

See you soon!

Is Vengeance ever right? An Interview with Anthony D’Augustine

Interview with Anthony D’Augustine author of Just Vengeance

  • Can you tell your readers something about why you chose this particular topic to write about? What appealed to you about it? Why do you think it is different and your approach is unique?

One of the tenets of good writing is to write about what you know. After 37 years of investigative work, I felt my strong suit was the detective mystery genre.  I didn’t want to write a book, though, on police procedurals or true crime. I wanted to create fictional characters and challenge them on ethical and moral grounds. Molding the attitudes and actions of these characters held a great deal of appeal for me. I believe my approach is different from other detective mysteries in that my stories go beyond the plot driven variety. My characters are described not only by their actions, but by their inherent nature (Best Enemies) and their metaphysical viewpoints (Just Vengeance).

  • How long do you think about a topic before deciding to write about it? Do you have a set of notes or a notebook where you write down topics that appeal before making a decision as to which topic this time?

I spend a great deal of time formulating a sub-text for my books. I don’t take notes during this period of time. In Best Enemies, for example, the underlying theme is “Man in Nature”; in Just Vengeance it is “Man’s view of God”.   After I decide on a sub-text, I begin to work on the plot. I spend a lot of time thinking about the opening chapters, about how to grab attention and set a base line for my plot. I do make notes at this time; however, I never make outlines. Why? Because I never know in which direction my stories and characters will go.  My characters always seem to create the story.

  • How long does it take to research a topic before you write? And for this book?

 I like to work backwards when it come to researching a section of my story. Instead of researching then writing, I write, then research. I do this because as the story develops on its own, I let it take me where it wants to go. After I see what I have written, I go through it section by section. That’s where the research comes in as to accuracy/preciseness, and corroboration/conformation with other sections within the story.

  • What resources do you use? In general and for the last book that you wrote?

My areas of research generally consist of conversations with law enforcement personnel, the use of Internet search engines, news feeds, and maps.

  • How helpful do you find authority figures such as the police when you say you want to write about them? Is there a good way to approach them in your experience?

Being a retired police officer, I have no problem discussing police matters with other officers, active or retired. Were I not associated with police work, I would approach a police officer for information or advice by being straight forward. I would tell the officer I have a high regard for his/her profession and that I would like to learn about their successes as well as the difficulties they face. Then, I would be honest about the reason I would like that information: I’m writing an article, a book, doing a video, establishing an organization, etc.

  • How many times have you been rejected before your first novel was accepted or before this book was accepted?

I believe my first book was rejected five or six times by agents. I try not to remember the negative aspects of the book marketing business. I don’t recall my first book, Best Enemies, being rejected for any specific reason. I can understand not being accepted at the start. I was a first time author with no published track record; I had no history of articles or books; no literary degrees or awards; I didn’t have celebrity status or any other form of name recognition; nor did I have a large following. Agents and traditional publishing companies like a sure thing. I was not that. It was then I looked into self publishing.

  • Did you need to self-publish on e-books before a publisher took you up?

No, I didn’t need to self-publish on e-book before going to a publisher.

  • Would you recommend self-publishing and building an audience before approaching a publisher? If so, what benefits do you see that it might have for the aspiring novelist?

 I would recommend self-publishing for first-time, non-celebrity authors in the fiction genre for the following reasons: -1- total control over you work product, -2- total control over the marketing and distribution of your book, and -3- you have an opportunity to establish an audience from the bottom up. Self-publishing allows the author to set his or her own parameters. The self-published author controls all aspects of the publishing process.

  • Does writing provide sufficient income to live on? And how long did it take before this happened?

 In my opinion, the vast majority of authors do not make a sufficient income—by writing alone— to live on. They generally supplement their love for writing by working a separate part time or full time job, or, as in my case, living on a retirement income. There are exceptions, though. Like the multi-millionaire actors in Hollywood, there are those in the literary world who have achieved great fortunes. Others have made a comfortable living writing for newspapers, magazines, blogs, television, radio, advertisers, or as speech writers.

  • What is the funniest thing that happened to you on a book tour?

I don’t have any funny stories to tell about book tours I’ve been on, because I haven’t been on any. I’ve chosen to promote both my books through other venues, most notably through the use of the Internet and its worldwide marketplace.

Outskirts Press Announces the Highly Anticipated Sequel to Best Enemies:

Just Vengeance: A Detective Novel by Anthony D’Augustineperf6.000x9.000.indd

“The only justice I’ve ever seen in my life came at the muzzle of my gun.”

December 1, 2015 – Denver, CO and New York, NY – Retired detective lieutenant Anthony D’Augustine has released Just Vengeance: A Detective Novel, published by Outskirts Press. The new book is the sequel to his well-received debut novel, Best Enemies, in which readers first meet Mac Taylor, a rough-and-tumble ex-Newark cop.

Now married and recently granted a PI license, Mac’s very first case finds him embroiled in a global terrorism investigation. Originally hired to investigate a reported suicide, he soon uncovers a sinister plot that involves murders in Scotland and Italy, and plans to destroy several U.S. landmarks. Shortly after his discovery, Mac and his pregnant wife, Cheryl, become targets of international terrorists; specifically, a psychopathic killer named Dirk Conroy, aka Ahmed Sal Mohammed.

In the world of espionage, where it can be hard to tell the good guys from the bad, Mac deftly maneuvers among agents, operatives, and confidential informants as he sets out to find Conroy. His partner, FBI Agent Sara Dillon, wants Conroy captured alive, but Mac wants him dead at all costs.

His old friend from Vietnam days, Nick Polsani, tries to convince him that seeking justice is the only course of action to be taken, but Mac disagrees. He’s going to settle a score, regardless of the consequences, and in the process he hopes to save thousands of innocent lives and the financial future of America. It’s not justice he’s looking for. It’s Just Vengeance.

Just Vengeance is fast-paced, exciting, and insightful, offering the reader a realistic view of detective work and an understanding of its psychological impact. The book is dedicated to the author’s son, Staff Sergeant Joseph D’Augustine, who was killed in Afghanistan on March 27, 2012.

At 312 pages, Just Vengeance is available online through Outskirts Press at www.outskirtspress.com/bookstore. The book is sold through Amazon and Barnes and Noble for a maximum trade discount in quantities of 10 or more, and is being aggressively promoted to appropriate markets with a focus on the mystery & detective category.

ISBN: 978-1-4787-6307-9

ISBN: 978-1-4787-6361-1

Genre: FICTION / Mystery & Detective / Hardboiled

For more information, visit the author’s website at http://outskirtspress.com/bookstore/justvengeance.

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About the Author: Anthony D’Augustine is a former detective lieutenant and firearms training supervisor with the Bergen County Prosecutor’s Office in New Jersey. In addition to working with the county, Anthony served ten years as a Dumont, New Jersey, police officer. He and his wife, Patricia, have three daughters and five grandchildren. Retired from law enforcement, he now donates much of his time running a charitable memorial fund in his son’s name. The fund provides scholarships to local students and support to military families in need. For details, go to SSJDMF.com.

 

 

Reaching the Horizon: Tabitha tells how she got there…

Interview with Tabitha Lord, author of Horizon.

Bouncing Tigger: Can you tell your readers something about why you chose this particular topic to write about? What appealed to you about it? Why do you think it is different and your approach is unique?

Tabitha Lord: I’ve joked that I currently write science fiction because of Star Wars, but there’s actually some truth behind this! I was seven years old when I saw the movie for the first time and it impacted me in countless ways—from my toy collection, to the books I chose to read, to my later love of astronomy. My tastes in reading are diverse, and some of my other works-in-progress are varied and span different genres, but sci-fi is like the default setting for my imagination. It’s where I go when I want to be inspired, to play with possibilities, to ask what if, and then create brand new worlds where I can explore the answers. For me, the sci-fi genre is also a place to consider serious, meaningful issues in a different context, slightly removed from the real world.

With Horizon, I wanted to explore the idea of what would happen if one segment of an already small isolated population evolved differently (either naturally or by design) from the other. What if some had gifts that enabled them to imagine a different kind of future for themselves and their world? What if they were empathic and could sense each other’s emotions and thoughts? What if some of them could heal with their mind? How would the unchanged people feel about their neighbors? It created such an interesting premise I knew I had to find a way to make it into a story.  In many ways, Horizon is a traditional space opera, complete with battle scenes, adventure, and romance, but I think this initial concept sets it apart and gives it a unique flavor.

Bouncing Tigger: How long do you think about a topic before deciding to write about it? Do you have a set of notes or a notebook where you write down topics that appeal before making a decision as to which topic this time?

Tabitha Lord: For Horizon, the idea mentioned above swirled in my head for years before I started writing. Once I had the first chapter down, I created a rough outline for the rest of the story, and then for the whole series.

When I’m in the middle of a draft, I keep a notebook with me everywhere. Sometimes an idea for a scene will come to me while I’m driving or cooking or folding laundry. I have to stop whatever I’m doing and capture it! Sometimes other ideas for completely different projects will sneak in, and I write these down as well, but then I warn them they have to wait their turn!

Bouncing Tigger: How long does it take to research a topic before you write? And for this book?

Tabitha Lord: I research as I go along. It’s fun to write sci-fi because you get to invent things! I love naming planets and imagining cool new pieces of technology my characters can use. But readers still have to buy into the world you’re creating. It has to feel authentic and consistent. Caeli’s planet, where the novel opens, is recovering from a devastating war that took place a thousand years ago. Nature has reclaimed most of her world, and when we meet Caeli, she is alone and on the run in the wilderness. I used my own experiences camping, hiking, and growing up in a rural area to bring a credible feel to these scenes. I have actually carved my own utensils from chunks of wood with a pocketknife!

Bouncing Tigger: What resources do you use? In general and for the last book that you wrote?

Tabitha Lord: For my writing, in general, I regularly use a thesaurus! The internet is also my friend. When Derek’s spaceship crashed, I looked up schematics for fighter jets so I could understand a little about the systems at work in the engines and controls. My anatomy background is pretty strong, but when Caeli heals Derek, I still called my brother-in-law, a doctor, to make sure she was treating his collapsed lung correctly.

Bouncing Tigger: How many times have you been rejected before your first novel was accepted or before this book was accepted?

Tabitha Lord: Ah, rejection letters! I think I accumulated about twenty-five. The thing about rejections, once you recover from the sting, is that they can sometimes be helpful. If your manuscript isn’t polished enough, you may need to work with an editor. If the story isn’t pulling people in quickly, you may need to spice up your opening chapters. Usually there is a common thread, and if you are open to hearing it, you can make adjustments and move forward. My first round of rejections, which included one R&R (rewrite and resubmit), suggested that I had a good story, but the manuscript needed more work. I hired an editor, and after months of rewriting, I queried again. This time I had more success and was offered contracts from two small presses.

Bouncing Tigger: Did you need to self-publish on e-books before a publisher took you up?

Tabitha Lord: No. But after receiving the offers, I opted not to sign, and began to seriously look at independent publishing. At this point, it became mostly a business decision. For a modest investment on my part up front, I could surround myself with professionals of my choosing, bring my own book to market on my own timeline, and create more of a partnership type relationship with the people I worked with. I signed with Wise Ink Creative Publishing and they provided me with an amazing team. I had control over things like who to hire as a cover artist, when I would release the book, and printing and distribution options. And because they are all industry professionals, they wouldn’t let me out the door, so to speak, until my book was in its best form.

Bouncing Tigger: Would you recommend self-publishing and building an audience before approaching a publisher? If so, what benefits do you see that it might have for the aspiring novelist?

Tabitha Lord: I think there are compelling reasons to self-publish. But if you choose this path, it’s an investment. You are essentially starting a small business and you have to treat it as such to be successful. First and foremost your product has to be good, and you have to be willing to invest the time, energy, and funds to make it so. You also have to build an audience, and then promote and market yourself, or be willing to hire others to help you do it. You have to take ownership of it all. For some writer’s, like me, this is exciting. For others, it’s terrifying.

Regardless of whether you are publishing independently, traditionally, or some combination of both, building an audience is key, and, in most cases, this task falls to the writer. Long before Horizon’s release, I established an online presence by creating a website and blog, choosing a few social media platforms and really working them, attending conferences, and joining writing groups. I was building an audience, while at the same time creating a community for myself and learning as much as I could about the publishing industry. Writing is a solitary endeavor, but the writing community is supportive, vast, and surprisingly social!

Bouncing Tigger: Does writing provide sufficient income to live on? And how long did it take before this happened?

Tabitha Lord: I’m planning it will! But I have no illusions that it will take some time. Ask me this question again in another year or two!

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